Episode 213: Monsters in the Static
In the subgenre of analog horror, there’s something sinister or supernatural lurking in the horizontal lines and vertical holds in those old VHS tapes. Filmmaker Chris LaMartina explains why he…
The Movie Rating System with Karina Longworth
How did Poltergeist get that PG rating? Podcast legend Karina Longworth, host of You Must Remember This, takes us on a wild ride through a century or so of Hollywood…
Little VVomen
little women meets the VVitch by Shipwrecked.
Episode 78: Godzilla vs. Kong vs. America — our opinions are correct
It’s time to talk about the politics of kaiju. With the new Godzilla vs. Kong movie stomping our way soon, we’re discussing the long history of giant monsters in pop…
Hear Jeff Bezos Roar
As FilmCritHulk explained, the media mega-mergers are not only consolidating power in the industry and narrowing what gets produced, they’re also designed to crush the power of industry unions. For…
“A Clockwork Orange” Made Me Long to Be a Monster, But It Only Saw Me as a Victim
In the epic battle between good and evil for the fate of the soul, I had never been the soul in question; I had always been the stumbling block on…
Why You Should Watch The NeverEnding Story as an Adult
The NeverEnding Story was a classic children’s fantasy of the 1980s, right up there with The Dark Crystal, Labyrinth, Legend, and The Last Unicorn in creating a latticework of terrifying…
Satanic Panics and the Death of Mythos
All the stories in humanity’s history that have had a lasting impact on us, from the Bible to Greek myths to the X-Men franchise, have been rich in meaning beyond…
The French father of Hollywood sci-fi is still planning his masterpiece
Caro is the artist responsible for Delicatessen and The City of Lost Children; a pair of game-changing dystopian fantasy films from France, co-directed with Jean-Pierre Jeunet (Amelie) in 1991 and…
American Movies Funded by The Us Military
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