What’s So Bad About Being a Monster?
What I liked about monsters was never that they taught me to love my body. If anything, that would have reproduced the same representational problem in a slightly more gothic…
What I liked about monsters was never that they taught me to love my body. If anything, that would have reproduced the same representational problem in a slightly more gothic…
When Maddie’s Secret premiered at TIFF last year, it was shrouded in secrecy. Marking the directorial debut of actor and comedian John Early (who also stars and wrote the screenplay),…
In 2002, Dow Mossman was the subject of the documentary film Stone Reader by Mark Moskowitz, which chronicled the director's attempt to resuscitate the acclaimed book and speak to its…
Boys don’t need special treatment—it’s entitlement that’s getting them into trouble.
The groundbreaking Max comedy series sticks the landing as it wraps up.
An adaptation of the Tony-winning play, Oslo‘s apolitical take on the Israel-Palestine conflict is of little use to anyone.
It’s easy to say Margaret Atwood’s Alias Grace speaks to the cultural moment. But that “moment” — the predatory sexual behavior of men and the undue burden it places on…