Robber Barons, Marcel Duchamp, and Big Museums’ Dirty Little Secrets
In 1915, Marcel Duchamp bought a snow shovel at a hardware store in New York City. He inscribed his signature and the date on its wooden handle. On the evening…
In 1915, Marcel Duchamp bought a snow shovel at a hardware store in New York City. He inscribed his signature and the date on its wooden handle. On the evening…
The painter and sculptor reoriented the North American arts landscape, defying any strict characterizations of his work as it evolved across concepts and media.
The 16th-century “Florentine Codex” offers a Mexican Indigenous perspective that is often missing from historical accounts of the period.
An adaptation of the Tony-winning play, Oslo‘s apolitical take on the Israel-Palestine conflict is of little use to anyone.
In 2016 Hillbilly Elegy, J.D. Vance’s memoir of growing up in rural Ohio, became a bestseller in no small part due to the idea that it could “explain” the average…
The art historical meta-narrative canonized by the Louvre Museum converts all artworks into specimens of their cultural moment. No wall tag can fix this.
In 1978, Serote and Thamsanqa (Thami) Mnyele founded the Medu Art Ensemble, an art collective that advocated for an end to the South African apartheid government through creative expression —…
The exhibition After ‘Freedom of Expression?’ was meant to probe Japan’s history of art censoring and celebrate artworks that had been previously excluded from museums in Japan. It was shuttered…
In a portentous video essay for Vox, producer Coleman Lowndes explains why the highly decorated, overly trimmed Victorian mansions (McMansions of their time) of the Gilded Age went from being…